I thought about naming this post for a certain popular novel whose title revolves around a tremendous variety of monochrome, but didn't think it would drive the right sort of Google traffic.
As a part of playing around with Paizo Publishing's Pathfinder game, I built a Tengu character and decided to build up a miniature for him. Sadly, Tengu miniatures are in rather short supply in the industry, and about half of the ones I could locate don't really fit the look Paizo has chosen for their bird-men.
Fortunately for me, Darksword miniatures has an absolutely beautiful sculpt that is close enough, and, I am pleased to say, is turning out to be an absolute joy to paint.
Loyal readers will not be surprised to discover that I started out this project by slicing off the integral base that came with this miniature. It took some effort to cut it away, as the floor-length robes create a huge connection surface for the metal, but I'm used to this sort of thing. Once I had things cleaned up, I primed the miniature white and selected a pre-textured resin base from Forgecraft Games. I wanted an indoor feel to the figure, and I thought a fully tiled stone base would do the trick.
With all the preparation in place, I set out to pick a color scheme. While planning, I broke the figure down into these areas: The Tengu himself, his clothing, including a robe, cloak and mantle, and, finally, his sword and belt-pouch. Since the model is associated with an RPG character, I wanted to tie its look to the world and character concept. In this case, priest (Inquisitor, really) of the Pathfinder death Goddess, Pharasma. Paizo's world background suggests a palette of mixed greys and white for the clergy of Pharasma, which allows for a lot of light-dark contrast, but not a tremendous amount of color.
I started out by painting the cloak a dark grey base, just to get started, and to help me visually get a handle on the sculpt. The cloak is quite voluminous, and covers most of the surface of the figure, giving it a big impact on the final look and impact of the miniature. I thought the sharp contrast between the cloak and the white looked good, and there needed to be white some place, so I picked the robe for the main contrasting element.
I wanted to inject at least a little color into his clothing, but, rather than add in a whole new set of colors to the mix, I decided to give his robes a decidedly warm-yellow cast, to warm up the model and add some interest.
As you can see, I slowly added in base colors for the other elements as I went along. I knew that I wanted to give him black, raven-like feathers before I started.
After brief consideration, I decided to go with a conventional polished steel color for his sword, although I am still considering gold as an option for the pommel and cross-guard. (More Color!)
At the end of the evening's work, I also decided that I wanted his mantle to share the basic white or light grey scheme of the robes, but with a different cast. I am not yet fully satisfied with the neutral-grey I have now, but it is a good start. I might switch to a bluish-white, or I might search around for another option.
Still to come will be the details of his face and equipment. I also plan to add some kind of trim to the edge of that cloak.
Excellent information on your blog, thank you for taking the time to share with us. Amazing insight you have on this, it's nice to find a website that details so much information about different artists.
ReplyDeleteBelt pouch